First Hand: Gary Petersen

Gary Petersen

Gary Petersen, Split Screen (2018), acrylic on canvas, 64 x 84″; courtesy McKenzie Fine Art, New York

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Linear perspective–long a mainstay of Gary Petersen’s distinctive brand of geometric abstraction–gives way to stacking-and-packing in Split Screen (2018). This shift in emphasis can be gleaned from a title that references the digital revolution and, by fiat, how it has come to both dominate and upset the social fabric. If that seems a lot to chew on for paintings whose color palette seems to have been co-opted from The Jetsons–well, that’s how one observer put it–so be it. Better to confront the brave new world with humor than despair.

© 2019 Mario Naves

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