Austin Thomas, Round Placed Square (2010), collage with pen and pencil, 42″ x 42″; courtesy the artist
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On the occasion of Remix: Selections from the International Collage Center, an exhibition at the Katonah Museum of Art (on view until October 13), herewith is a variety of links that lead to articles on artists who do the tradition proud, among them John Ashbery, Romare Bearden, Jess, Josh Dorman, Bruce Helander, Lance Letscher, Conrad Marca-Relli and Austin Thomas.
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Anyone who talks about collage without mentioning Dadaism or women is oblivious to the history of the medium. And then there’s Joseph Cornell, the outsider sophisticate and mama’s boy from Flushing, who is a genre unto himself.
Joseph Cornell, Madame Mallarme’s Fan (1954), collage on board, 11-1/2″ x 8-3/4″; courtesy The International Collage Center
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Art critic, professor of philosophy and inveterate bloviator Donald Kuspit wrote that “collage . . . involves condensations and displacements, and also seems like a mistake of consciousness, which is why one tends to forget it, confirming its transience–unless one forces oneself to remember it–when one awakens from its spell.” Cornell puts such specious theorizing firmly to rest, as do any number of artists whose collages continue to cast a spell long after our first acquaintance with them.
© 2013 Mario Naves