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Of the countless venues for art in Manhattan, the Prow Art Space is among the most highly trafficked. It is, after all, located at the base of The Flatiron Building as an adjunct to its sponsor, Sprint. How many New Yorkers, rushing along 23rd Street, actually stop to look at the art in this street level display? A better question is how could they not look–particularly with Stephanie Hightower’s brash paintings declaring their presence through the tumult of pedestrian and vehicular traffic?
Get closer and you’ll register how these abstractions are more specific in image–more representational, really–than you might initially think. Then take a look at Hightower’s smaller paintings on panel and, especially, the accompanying photographs of Dorothea Hokema, an artist of rigorous means and romantic temper. The impetus for the installation becomes clear: the urban landscape, exemplified by New York and Berlin, is the locus for their collaborative (and exuberantly punctuated) exhibition City is Landscape/Landschaft!
Stephanie Hightower, Prow 1 (2014), oil on canvas, 60″ x 64″; courtesy Cheryl McGinnis Gallery
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Working in conjunction with Cheryl McGinnis Gallery, the driving force behind the Prow Art Space, Hightower and Hokema offer an exegesis on “the surface and the structure of urban spaces.” Nothing new in that—cities, even in their grittiest corners, have long served as inspiration for artists. But Hightower and Hokema perform the nifty feat of both honoring the city as sociological construct and as a platform for abstraction. In doing so, they explore “the physical environment we inhabit and the one we imagine.”
Dorothea Hokema, Bricks and Sticks, Harlem (2013-14), c-print on aluminum dibond, 15.4″ x 20.4″; courtesy the artist
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The artists will elaborate on this venture, along with Cyriaco Lopes, at The New York Public Library in conjunction with the corresponding exhibition Urban Arcadia: Landscapes of New York and Berlin at the same venue. For more information click here.
© 2014 Mario Naves